Thursday, December 30, 2010

THE DIVING BELL AND THE BUTTERFLY (2007, FRANCE)


Je vais essayer de faire mes commentaires sur Le Papillon Schaphandre et en français depuis le réalisateur Julian Schnabel a insisté sur l'interprétation de raconter son magazine Elle l'éditeur Jean Dominique Bauby dans sa langue originale. La plupart du film est du point de vue de Bauby, qui est paralysé à l'exception de son oeil gauche. Il s'agit d'un point de vue unique dans lequel à la base un film et est largement réussi.

Il ne me rappellent un peu de la Humphrey Bogart film Dark Passage (Le Couloir Sombre). Je comprends que ma structure de la phrase française ne peut pas être très précis, je crois néanmoins la nécessité de mentionner Charles De Gaulle, Brigitte Bardot crêpes et de la Tour Eiffel. Et Fries français, ne l'oublions pas Fries français!

Je vous remercie, Krista.

Sunday, December 26, 2010

BLACK NARCISSUS (1947, GREAT BRITAIN), PEEPING TOM (1960, GREAT BRITAIN)



(Rod and Chip Go To the Movies Part 3:The Final Chapter)

The names have been changed to protect the innocent. The events depicted are real…sort of.

Sometime in the 80’s…

Rod and I came out of The Silver Screen Theater breathing a sigh of relief. After the fiasco a couple of weeks ago involving our unwitting viewing of the gay oriented films Satyricon and Sebastiane, our recent Silver Screen double feature viewing of Peeping Tom and Black Narcissus provided a welcome relief.

“Can you believe Peeping Tom was made over twenty years ago?” I asked Rod.

Rod rubbed his chin as he thought my question over. “It kind of puts Blood Beach and New Year’s Evil in their proper place on the movie quality food chain. Oh, and did you catch the nude scene? It was only for about a second. But I clearly saw breasts.”

“No way, that was a 1960 movie. You were just imagining things.” I said.

“I know what I saw,” Rod said, holding his position.

I told him that if he imagined a brief nude scene, than a nude scene it was. I didn’t want to argue the point. When I asked him about the other film we saw, Black Narcissus, he looked much more puzzled.

“That was a tough nut to crack,” he said. “Beautiful looking film. I wasn’t sure of the point. I have to admit when that nun shed her habit and put on her lipstick it was pretty darn sexy.”

“We got to get you a girlfriend, pronto.” I snickered as I said it, but I actually found the scene a bit provocative as well.

“Back to your original question,” Rod said. “I wasn’t really sure of the point of Black Narcissus, but just by definition of it being shown at the Silver Screen, it had to have a point. Am I not right, Chip old man? That’s the comfort in seeing a movie here. You know they're not going to show something like Chu Chu and the Philly Flash or Charlie Chan and the Curse of the Dragon Queen. What they show will have significance to someone, somewhere in someway. Comprende?”

I nodded as I thought he had actually made a good point. As we left the theater, I grabbed the Silver Screen calendar.

“Before you continue with your metaphysical philosophy on film choice, why don’t we take a peek at the coming attractions,” I said.

I looked at the calendar for a moment before all feeling left my hand and dropped the calendar to the sidewalk.

Rod picked it up and looked at it. “What’s the matter with you, are you-Oh, my God!”

Rod and I sat down at the same time on the bench outside the box office.

“It’s over. Can you believe it? This is the last movie,” Rod said.

Neither one of us said anything else for the next minute until a man in a three-piece suit came up to us.

“Hey, I know you guys,” the man said. “I saw you at the Rhodes for Motel Hell and for Il Sebastiane here couple of weeks ago.”

Being still in a state of shock, it took a moment for us to recognize him as the man who was dressed as Frank-n-Furter at the Rhodes Halloween week and the man who was with another man he referred to as his husband during the showing of the infamous Sebastiane the week after. It’s funny how the embarrassment of seeing that film seemed suddenly so unimportant.

“Oh, hello. You look different.” I said to him, though my mind was still on the closing of the theater.

“Well, I wouldn’t get much business as an accountant if I dressed like a queen from nine to five, would I? Anyway, my real name actually is Frank. You probably don’t believe it, but it's true.”

He stuck his hand out for us to shake. After we shook his hand, he joined us on our bench.

“A shame this place is being shut down, isn’t it?” he said.

“What happened Frank? Why are they taking away our theater?” Rod asked.

“Georgia-Pacific bought it, I believe. The venerable old movie house just doesn’t do enough business anymore. People want to see second run movies, they just rent a videocassette these days.”

I looked at him like he was crazy. “Videocassettes? Like I have Eight-Hundred dollars to buy one of those players or sixty more to buy a movie. And I want to see it on the big screen anyway. What the hells the matter with people?”

“I know. I know.” Frank said as he tried to comfort me by patting my hand. “You’re preaching to the choir, honey.”

As if suddenly waking out of a trance, Rod grabbed me by my shirtsleeve. “At least we still have the Rhodes. They aren’t planning to shut that down I imagine.”

Frank handed Rod a copy of the Arts and Entertainment section of the Atlanta Journal-Constitution that he had just pulled out of his breast pocket.

Rod looked down the pages and began to read: Atlanta’s Rhodes theater will be showing the 1938 Spencer Tracy-Clark Gable movie Test Pilot this weekend.

Rod looked up. “You see! They’re still in business.”

“Keep reading.” Frank said.

The Rhodes is showing this film because it was the first film it showed in 1938, so the management thought this would be a fitting final farewell before the Rhodes goes under the wrecking…

Rod pulled his head from the paper and looked skyward before looking back and finishing…before the Rhodes closes its doors for good and goes under the wrecking ball.

Rod handed the paper back to Frank who casually tossed it to the ground.

The three of us sat on the bench and starred across the parking lot at the venerable Oxford Bookstore, wondering if even that Atlanta institution might one day be vulnerable to the greed of land developers.

“So, what do we do now?” I asked.

Frank turned to us and put out his hand to emphasize his point. “And they’re moving Rocky Horror from Garden Hills to Northlake Plaza next week. Can you believe it? Me..in suburbia”

Rod showed a little interest “I’ve never seen it. You, Chip?”

I shook my head.

Frank let out a laugh that came close to registering as a squeal. “Oh, my. A couple of virgins, huh? Well come down to Northlake next Saturday, midnight.”

“We might as well,” Rod said. “Our social options seem to be suddenly limited.”

Frank stood up. “I got to run. I’ll look for you kids. Remember Rocky Horror. It’ll make you forget about this disappointment. Come dressed up if you dare. I’ll copy an extra script for you if you want to participate. Hey, you’d make a good Eddie,” Frank said looking my way as he left the two of us on our bench.

“What did he mean by that?” I asked Rod

“Oh, I’m not sure. I’m not sure of anything anymore. My whole worldview has been decimated into fragments.”

I took one last look at the calendar. “Peeping Tom and Black Narcissus have one more showing tomorrow. You want to come back?”

“We’ve already seen these two, but I guess we could come tomorrow and watch them again. One more chance to…no, that would be prolonging the agony. I’m done. It’s time to move on.” Rod sighed.

“I guess you’re right. Guess I’ll save up for a video cassette player.”

“Guess the first movie you’ll get will be Pillow Talk. You’ll be able to watch it anytime you want.”

“Shut up about Pillow Talk already!”

Rod laughed and I couldn’t help but smile a little too. Though I was not smiling at his endless need to make fun of the movie Pillow Talk. I was instead thinking of all the great movie moments that I had experienced at the greatest theater in the world over the last few years.

We both turned our gaze to the Silver Screen marquee one last time before driving away.

CHARIOTS OF FIRE* (1981, GREAT BRITAIN)


It’s taken me awhile to get to 100 posts, but here is the list of movies I have noted on this blog so far. I’ve seen a lot of movies I’ve always wanted to see, seen some movies I had never heard of before and revisited some old favorites (and a few not-so-favorites). There are 123 films listed here. 112 from the 1001 movie book. So that would make 878 to go, right? Wait. Different editions have different movies. So would that number be closer to 960? Oh, God! Could I get some more caffeine, please?



Films seen from The 1001 Movies You Must See Before You Die List since starting blog

Adaptation (2002)
The African Queen (1951)
Amadeus (1984)
An American in Paris (1951)
An American Werewolf in London (1981)
Anatomy of a Murder (1959)
Annie Hall (1977)
Ashes and Diamonds (1958, Poland)
An Autumn Afternoon (1962, Japan)
The Bank Dick (1940)
The Battle of Algiers (1965, Algeria)
Beauty and the Beast (1946, France)
The Best Years of Our Life (1946)
The Bicycle Thief (1948, Italy)
Breathless (1959, France)
Bridge on the River Kwai (1957, Great Britain)
Brokeback Mountain (2005)
Cabaret (1972)
Children of God (2002, Brazil)
A Christmas Story (1983)
Citizen Kane (1941)
City Lights (1931)
A Clockwork Orange (1971, Great Britain)
Closely Watched Trains (1967, Czechoslovakia)
The Color of Pomegranates (1969, Armenia)
The Constant Gardner (2005)
Crumb (1994)
The Defiant Ones (1958)
Dirty Harry (1971)
Dracula (1931)
Easy Rider (1969)
Eyes Wide Shut (1999, Great Britain)
Eyes Without a Face (1960, France)
Floating Weeds (1959, Japan)
Footlight Parade (1933)
The 400 Blows (1959, France)
42nd Street (1933)
Freaks (1932)
The General (1926)
Gilda (1946)
Gold Diggers of 1933 (1933)
Grand Illusion (1937, France)
Grave of the Fireflies (1988, Japan)
The Great Train Robbery (1903)
Grease (1978)
Harvey (1950)
The Haunting (1963)
High Plains Drifter (1972)
High Sierra (1941)
Hiroshima, Mon Amour (1959, France)
Horror of Dracula (1958, Great Britain)
I Walked with a Zombie (1943)
It’s a Gift (1934)
It’s a Wonderful Life (1946)
Jaws (1975)
The Kingdom (1994, Denmark)
Last Year at Marienband (1961, France)
Laura (1944)
The Lion King (1994)
Marty (1955)
Metropolis (1927, Germany)
Monty Python and the Holy Grail (1975, Great Britain)
Munich (2005)
Mutiny on the Bounty (1935)
My Darling Clementine (1946)
My Fair Lady (1964)
Night of the Living Dead (1968)
No Man’s Land (2001, Bosnia-Herzegovina)
Open City (1945, Italy)
Ordet (1955, Denmark)
Ordinary People (1980)
The Outlaw Josey Wales (1976)
The Phantom of the Opera (1925)
The Philadelphia Story (1940)
Pi (1998)
Play Time (1967, France)
Princess Mononoke (1997, Japan)
Psycho (1960)
Raise the Red Lantern (1991, China)
Run, Lola, Run (1998, Germany)
Sansho Dayu (1954, Japan)
Satyricon (1969, Italy)
The Seventh Seal (1957, Sweden)
Shadows (1959)
Shadows of Forgotten Ancestors (1964, Soviet Union)
Shane (1953)
Sherman’s March (1986)
Smoke (1996)
Solyaris (1972, Soviet Union)
Spirited Away (2001, Japan)
Sweet Smell of Success (1957)
Star Wars (1977)
La Strada (1954, Italy)
The Thin Blue Line (1988)
The Third Man (1949, Great Britain)
This is Spinal Tap (1984)
Through a Glass Darkly (1961, Sweden)
To Kill a Mockingbird (1962)
Tokyo Story (1953, Japan)
Top Hat (1935)
Two or Three Things I Know About Her (1967, France)
2001: A Space Odyssey (1968, Great Britain)
Unforgiven (1992)
The Unknown (1927)
Vertigo (1958)
Walkabout (1971, Great Britain)
Weekend (1967, France)
West Side Story (1961)
Winter Light (1962, Sweden)
The Wizard of Oz (1939)
Young Frankenstein (1974)
Z (1969, Algeria)

Additions (Some more worthy than others)
Billy Jack (1971)
The Fog of War (2003)
Late Spring (1948, Japan)
The Merchant of Venice (2004)
My Dinner With Andre (1981)
The Paleface (1923)
The Pawnshop (1916)
Paul Blart: Mall Cart (2009)
Pee Wee’s Big Adventure (1985)
Taken (2008)
You Can’t Cheat an Honest Man (1939)

More meaningless stats
Films seen by decade
1900 (1)
1910 (1)
1920 (5)
1930 (12)
1940 (15)
1950 (22)
1960 (21)
1970 (15)
1980 (10)
1990 (10)
2000 (11)

34 non-English speaking films seen, more or less.

*I still haven’t actually seen Chariots of Fire, but I’ll get to it.

Friday, December 24, 2010

BEAUTY AND THE BEAST (1946, FRANCE)


When I was about nine or so, I saw that a version of the old fairy tale Beauty and the Beast was coming on TV. This was most exciting news. I wondered how scary the beast might be. It was a time and an age you could still be scared by things like that.

It was on PBS, if memory serves, but it was in black and white! Our spectacular new color TV made me not want to watch anything black and white at that moment.

But then again, plenty of Abbott and Costello movies that I liked were in black and white. I could still remember before last year, when everything on TV was in black and white. It was such a shock when I saw The Wizard of Oz this year magically turn to color when Dorothy went to Munchkinland.

But I digress.

Beauty and the Beast was starting. I watched. Oh, my. This was in a foreign language and I didn’t speak French! You mean I had to read and watch a movie at the same time? “Okay, I’ll do it,” I said. But that Beast better be really frightening.

Finally we got to a scene with the Beast. He was pretty scary despite wearing ruffles, but guess what? He spoke French, too! I watched the Beast’s scene, but once there was a scene without him, I turned it off.

So it took me over thirty years to finally watch it again. I’ve seen hundreds of black and white movies since-that’s no problem. I’ve seen many movies in French-that’s no problem, either. But now this movie has to compete with my image of the Disney Beauty and the Beast, which I’ve seen so many times.

Well, in the old Beauty and the Beast (AKA Jean Cocteau’s Beauty and the Beast) the walls were alive, but they didn’t do show tunes like in the Disney version. A hand did come out of the dining room table to pour drinks and the faces on the walls did stare at you. I guess I can live without the show tunes.

There are shady characters in the Cocteau version, though none as dastardly as Disney’s Gaston. I can live with that, though I do miss Gaston’s songs.

There are some funny characters in Cocteau’s film (Belle’s sisters), but they can’t really compete with a wisecracking candlestick or a dancing teapot. But I guess, I can live with that.

I’ve just got to realize that the Cocteau film is a just a subtler movie experience …but I can live with that and hope I don’t have to wait another thirty years before I see it again.