REPORT (1967)

Experimental/Avant Garde Cinema Week Day 7

There are several experimental or avant garde films on the 1001 movie list. In trying to figure out how to deal with them, I have tried to handle these often tough nuts to crack by just watching them and trying to answer ten basic questions about them on my personally devised standardized test. So let us conclude with..

Report

1. What happens?

A news narrative of the day of the Kennedy assassination is reported with images relating to the assassination, but not in the order or in the way we have normally viewed it.

2. Was it heavy? Did it achieve total heaviosity?

It was pretty heavy. Yes, I'm giving this one the official heaviosity label.

3. What was your favorite part?

I liked that the scenes never quite seem to match what is being narrated, and challenges your perception of what you are seeing.

4. What was your least favorite part?

The part with the bullfighting was a bit off-putting at first.

5. Did you get it?

I believe I got this one.

6. Might the viewing experience have been enhanced from either prescription or non-prescription medication of some kind?

No, you need to take this one straight.

7. What about the sex?

You may see some sex appeal from the ladies in the advertisements for refrigerators and such, but these are overwhelmed by the scenes of violence.

8. What about the violence?

There are plenty of violent images during the last few minutes of Report, though the scenes of violence from the actual assassination are missing.

9. Describe this film in one sentence starting with "This is the film..."

This is the film where you may perceive an event you've looked at many times in a new way.

10. Would you watch it again?

Yes. And it would only take me 14 minutes!

                              

VINYL (1965)

Experimental/Avant Garde Cinema Week Day 6

There are several experimental or avant garde films on the 1001 movie list. In trying to figure out how to deal with them, I have tried to handle these often tough nuts to crack by just watching them and trying to answer ten basic questions about them on my personally devised standardized test. So let us continue with..

Vinyl

1. What happens?

Blonde male in leather lifts some weights to the indifference of those behind him. This blonde guy appears to hold contempt for newspapers and ties up a guy to a pole and tortures him. He says he does bad things because he "digs it." He dances to Martha and the Vandellas. He gets into an altercation with someone he refers to as "scum baby." At this point, he is suddenly on the wrong end of an interrogation. He is strapped to a chair as a doctor examines him and someones reads the cast credits even though the movie isn't over. He is subjected to images that change his way of thinking. He is forced to wear a mask. He is released from his bondage and listens to some Kinks and some Stones and dances.

2. Was it heavy? Did it achieve total heaviosity?

I dug it enough to say it was a little heavy, but I've certainly had heavier.

3. What was your favorite part?

When I recognized the parts that were recognizable as being from Clockwork Orange, I kind of dug that.

4. What was your least favorite part?

I think this story could have been told in half the time. I didn't dig the moments of nothing happening.

5. Did you get it?

It's a bare bones adaptation of the Anthony Burgess novel A Clockwork Orange before Kubrick made an actual movie out of it. I can dig it.

6. Might the viewing experience have been enhanced from either prescription or non-prescription medication of some kind?

Too much of a high may cause the plot of Vinyl to slow down to an intolerable pace. I couldn't dig that. 

7. What about the sex?

I can't say I dug the bumping and grinding sex, though it was more figurative than anything.

8. What about the violence?

I don't dig violence, and tying someone up and putting a mask on them? I really can't dig that.

9. Describe this film in one sentence starting with "This is the film..."

This is the film that Andy Warhol made loosely following the plot of Clockwork Orange, and you're probably not going to dig it. 

10. Would you watch it again?

Probably wouldn't dig watching Vinyl again. Could possibly dig watching Andy Warhol's Bad or Andy Warhol's Dracula again. Or maybe I should just try to dig staring at some pictures of soup cans.                                

FLAMING CREATURES (1963)

Experimental/Avant Garde Cinema Week Day 5

There are several experimental or avant garde films on the 1001 movie list. In trying to figure out how to deal with them, I have tried to handle these often tough nuts to crack by just watching them and trying to answer ten basic questions about them on my personally devised standardized test. So let us continue with..

Flaming Creatures

1. What happens?

Operatic music plays. Several transvestites try on lipstick. We have a shot of someone shaking their penis. A young lady mocks protest as she is having her breast touched to the tune of Asian music. Halfhearted screaming accompanies an orgy scene. Violin music plays and we see the aftermath of the orgy...I guess. Some laying around...not much happening, frankly. More modern music plays as a drag queen comes out of a box. Nothing much happens before a couple of the people begin dancing Astaire/Rogers style. Sounds like Mariachi music now. The people spin to the dance. Look, a man points to a woman's nipple! Gene Vincent's Be-Bop-A-Lula begins playing before we get a shot of a final jiggling breast.

2. Was it heavy? Did it achieve total heaviosity?

It really wanted to be heavy, but I could pick this one up and toss it across the room with one hand. Sorry, not that heavy.

3. What was your favorite part?

Other than the fact that this was better than Blonde Cobra, I would think the diverse musical selections would be the best part.

4. What was your least favorite part?

I could have done without the penis shaking part...or the mock rape scene for that matter.

5. Did you get it?

I'm afraid I did not, though I can at least understand how someone else might, unlike Blonde Cobra!

6. Might the viewing experience have been enhanced from either prescription or non-prescription medication of some kind?

It could only help. Preferably something to make you very "giggly."

7. What about the sex?

When the characters aren't lying around, it's all about sex.

8. What about the violence?

You could look at the mock rape scene as violence. You could also look at it as farce. Or somewhere in-between.

9. Describe this film in one sentence starting with "This is the film..."

This is the film that I'm giving too much credit to for just not being Blonde Cobra!

10. Would you watch it again?

I seriously doubt it. But I'd certainly re-watch it before watching Blonde Cobra again!

THE MAN WITH THE MOVIE CAMERA (1929, SOVIET UNION)

Experimental/Avant Garde Cinema Week Day 4

There are several experimental or avant garde films on the 1001 movie list. In trying to figure out how to deal with them, I have tried to handle these often tough nuts to crack by just watching them and trying to answer ten basic questions about them on my personally devised standardized test. So let us continue with...

The Man With the Movie Camera

1. What happens?
The man with the movie camera invites you into his movie theater and begins to show you a world outside the realm of traditional cinematic language.

2. Was it heavy? Did it achieve total heaviosity?
I weighed it and can officially declare it most heavy.

3. What was your favorite part?
The shots of late the late twenties Soviet Union is even more interesting without the confines of traditional narrative. I like the way Director Dziga Vertov shows the mechanics of society through machinery, trolleys or people just going to work And I like the fact that Vertov appears with his camera throughout reminding us this is a movie in case we begin to forget.

4. What was your least favorite part?
I do admit that I did look at the clock a couple of times while viewing, but I can't blame a particular section of the film.

5. Did you get it?
I believe I got it!

6. Might the viewing experience have been enhanced from either prescription or non-prescription medication of some kind?
Yes, I think medicinal enhancement of some kind might make you appreciate it even more.

7. What about the sex?
A woman in a slip...Some slow female discus throwers and high jumpers...A woman on the beach is topless and puts mud all over her. Yeah, there is some sex here. And 1929 sex at that!

8. What about the violence?
The filmmaker is about to get run down by a train! But he isn't, it's just a trick. Violence is averted here and throughout the film.

9. Describe this film in one sentence starting with "This is the film..."
This is the film that is the grandfather of films that tell a story in a non-traditional way.

10. Would you watch it again?
Yes, and should be one I shouldn't have waited until now to see for the first time. So, thanks 1001 book!...This almost makes up for making me watch Blonde Cobra, but not quite.