Seeta Devi loves a man with an addiction in A Throw of Dice |
"Beautiful
though the scenes of India are in Throw
of Dice, a Hindu silent film now at the Fifty-fifth Street Playhouse, this
present offering is not comparable with that fine pictorial achievement Shiraz, the poetic tale of the
Taj Mahal." -New York Times Review, January 6, 1930.
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I had never heard of the movie Shiraz mentioned in the above review, but by the rave Shiraz received there and the fact that the
British film Institute recently restored it made me think that the 1001 list
may have chosen the wrong Franz Osten film.
That being said, it was interesting to see A Throw of Dice. It has great costumes, a cast of hundreds and lots of elephants. It is interesting that such a grand setting is basically wrapped around the simple story of two kings vying for the love of a beautiful woman. One of the kings is ruthless and the other has a gambling problem that the other king is willing to exploit for his own end. The fact that this silent epic was released after talking pictures had been established may have prevented it from being a greater success. -C. Cox, 1001: A Film Odyssey
That being said, it was interesting to see A Throw of Dice. It has great costumes, a cast of hundreds and lots of elephants. It is interesting that such a grand setting is basically wrapped around the simple story of two kings vying for the love of a beautiful woman. One of the kings is ruthless and the other has a gambling problem that the other king is willing to exploit for his own end. The fact that this silent epic was released after talking pictures had been established may have prevented it from being a greater success. -C. Cox, 1001: A Film Odyssey
Fast foward to 2008 after, A Thrown of Dice-
“There’s hardly a
frame in the 1929 film A Throw of Dice that doesn’t provide a surge of visual
pleasure. Produced by the German director Franz Osten and the Bengali lawyer
and crusading nationalist Himansu Rai, the movie itself seems poised between
two cultures, balancing the highly developed technique of German silent
filmmaking and the rich iconography of Indian tradition. Jungles and palaces,
elephants and tigers, princes in silk and servants in rags were photographed on
location in Rajasthan and presented with the meticulous lighting, enveloping
depth effects and rhythmic editing patterns of the Weimar cinema at its height.”-Dave
Kehr, New York Times, July 15, 2008
Well, it only took about eighty years, but it looks like The Times finally got around to giving the movie a positive review!
And next time I'm in New York, I definitely got to see see what is playing at The Fifty-Fifth Street Playhouse!
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