Showing posts with label Alfred Hitchcock. Show all posts
Showing posts with label Alfred Hitchcock. Show all posts

Tuesday, February 18, 2020

DIVA (1981, FRANCE), SABOTEUR (1942)

Jules the postman (Frederic Andrei) 
shares his love of the Diva with a friend

Diva is the story of a young Parisian postman who literally bumps into a prostitute with an incriminating cassette tape that she hides in Jules's moped. The prostitute is killed and Jules finds he is quickly in over his head in a situation not of his choosing. The plot of the film also involves Jules's obsession with an classical singer named Cynthia Hawkins who never lets herself be recorded. Ah! But Jules has a bootleg recording of her, which he listens to constantly. So essentially Jules has one recording he loves and another one that he wants no part of.

This engaging French thriller reminds me a great deal of some of Alfred Hitchcock's movies that feature an everyman that gets involved in a situation way over his head, such as The Man Who Knew Too Much. That film also had a similar musical tie-in in the plot.

Diva Cynthia Hawkins (Wilhelmenia Fernandez) 
sings live...so don't record her!

I wanted to team Diva up with a Hitchcock film that I hadn't seen before, so I chose Saboteur, a 1942 film which also features an average guy that gets involved in a situation over his head.

Aircraft factory worker Barry Kane (Bob Cummings) is an average Joe that is falsely accused of setting a fire at the factory that killed a friend of his. He is sought by police and ends up on the run, but has a clue about the identity of the real culprit, a man named Fry (Norman Lloyd). The acts of sabotage turn out to be much bigger than just Fry, which Barry discovers a little bit at a time. He also picks up a blonde (Priscilla Lane) along the way who wants to turn him in at first, but of course later becomes an ally.

The film culminates with a memorable scene with Fry dangling from the Statue of Liberty with Barry unsuccessfully trying to save him.

Saboteur isn't top twenty Hitchcock, but it's not bad either. It does seem like a bit of a test film in retrospect for Hitch's later North by Northwest. Bob Cummings and Priscilla Lane aren't Cary Grant and Eva Marie Saint, but they're likable and effective enough. And the conclusion on top of the Statue of Liberty is good, just not as good as the Mount Rushmore finale of North by Northwest.

Bob Cummings and Priscilla Lane have issues
in Saboteur

As in many Hitchcock films, we do have many memorable supporting players. I especially like the truck driver looking for excitement that helps Barry escape from the police. Otto Kruger plays a sophisticated villain here...Otto seemed to played a sophisticated villain a lot. Also on hand are Vaughan Glaser as a blind man that also helps Barry and a train full of circus performers who debate between themselves whether or not to turn in our fugitives.

My favorite of all of the supporting players is Norman Lloyd as Fry. Norman became a frequent Hitchcock collaborator throughout his career. I know him best in later years as Dr. Auschlander from St. Elsewhere. Norman provided insights on the commentary track of Saboteur and he mentioned that Hitchcock felt it was a mistake to have the bad guy in peril at the end of the movie because the audience isn't really invested as much on whether or not he falls as they would be if it were the hero. This is another improvement the director made in North by Northwest.

As of this writing, Norman Lloyd is still alive at age 105 and comes across in his commentary as an extremely charming guy.

Norman Lloyd hanging on to the Statue of Liberty
for the moment is Saboteur

Norman Lloyd as Dr. Auschlander
in St. Elsewhere

Thursday, August 29, 2019

1960 BEST MOVIE OF THE YEAR!


This is my choice (choices) for Best Picture for the year 1960.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). 

And the nominees on the entries from 1960 for every edition of 1001 Movie You Must See Before You Die are...
Eyes Without a Face
Le Trou
Rocco and His Brothers
La Dolce Vita
Saturday Night and Sunday Morning
Shoot the Piano Player
L'avventura
The Young One
The Cloud-Capped Star
The Housemaid
Psycho
Black Sunday
Peeping Tom
The Apartment
Spartacus

And the winner for the Best Picture of 1960 is…Psycho



                    
 Psycho

I've seen it a dozen times. Norman Bates in that hotel.Janet Leigh in the shower. Mamma in the cellar. It's with me forever. Can't not pick this one.

Psycho


And the Award for Unique and Artistic Picture of 1960 is...uh...uh...
This year's category for Unique and Artistic Picture is the one I couldn't decide on. I'm going to have to think this one out.



Eyes Without a Face is a good B-Horror movie, but in a year with Psycho and Peeping Tom, it just isn't going to make it.


Le Trou, the prison escape movie that I found totally absorbing is a real possibility.



Saturday Night and Sunday Morning, good film about working class Brits may have won in other years, but not the winner in this unusually strong year.



Shoot the Piano Player is my favorite of the Francois Truffaut films that I've seen, though may be to stuck in the gangster genre to win the artistic award.





L'avventura and La Dolce Vita, two landmark art films and among their respective director's best!



The Young One, Different and worthwhile Luis Bunuel, but not going to win this time.



The Cloud-Capped Star, recommended film, though I like director Ghatak's Subarnarekha more.



The Housemaid, another horror film ahead of its time from this year! What is it about 1960?

Black Sunday, Italian horror film. Nice B-picture, but not really the one to win.




Psycho, Could have one the award in this category, but I chose to give it the other award. So gotta keep looking!


Peeping Tom, Killer film in some ways more ahead of its time than Psycho. Decisions! Decisions!



The Apartment and Spartacus, two favorite films of mine in their own right. What to do?


Rocco and His Brothers, epic tale of 1960 Italy and a families struggle to make it....Excellent film! Ugh!


And the winner for Unique and Artistic Picture is...Peeping Tom
Whereas Psycho was a stylish upgrade of B-movie horror, Peeping Tom was Michael Powell's "so far ahead of its time it isn't even funny" slasher film. Since I couldn't really make up my mind for award, I thought it would be right to have two horror films in a year of innovative and influential films in this genre.

Peeping Tom

Let's move on before I change my mind again!

Tuesday, August 27, 2019

1958 BEST MOVIE OF THE YEAR!


This is my choice (choices) for Best Picture for the year 1958.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). 

This year features the Sight and Sound polls most recent choice for Best Picture of all-time!

And the nominees on the entries from every edition of 1001 Movie You Must See Before You Die for 1958 are...
Man of the West
Touch of Evil
Cairo Station
Gigi
The Defiant Ones
Vertigo
Ashes and Diamonds
Horror of Dracula
My Uncle
The Music Room
Some Came Running
Dracula


And the winner for the Best Picture of 1958 is…Vertigo


Vertigo

I remember in the 1980’s The Screening Room in Atlanta showed several re-released Hitchcock movies, The Man Who Knew Too Much, Rear Window, Rope, The Trouble with Harry and Vertigo. I believe I went to see them all at the time. Four of these films star Jimmy Stewart and Vertigo may be the most critically acclaimed of the bunch today. (Though I need to see Rear Window again!).

Seeing it again now in a restored version it is a meticulously plotted, suspenseful film, built nicely to a dramatic climax. If you think about the plot too much, the setting up of the acrophobic Scottie Ferguson through the death (?) of the woman he loves might be a little far-fetched, but it hardly ruins the movie.

When Scottie finds someone who resembles his lost love, he tries to recreate her to look or be like her. Is he being a bully? Obsessive? Or is it actually his lost love? Scottie’s recreation of Judy is one of the best parts of the film.

William Goldman mentions in one of his books that he finds Vertigo an overrated film, but doesn’t say why. My guess is that he’s not buying into the plot.“1001 Movies” also mentions that the plot contrivances caused the film to not be a critical success at the time of release.

Overall, I got caught up in the film this time as much as I have during previous viewings. Few films show off a city better than this film shows off San Francisco. And few directors utilize music better than Hitchcock (through Bernard Herrmann’s score).

Interesting supporting performance from a young Barbara Bel Geddes as Stewart’s frustrated gal pal Midge. 

Note: The most recent edition of the ten year Sight and Sound poll lists Vertigo as the greatest film of all time, supplanting Citizen Kane in the number one spot for the first time in fifty years, so I'm guessing any Vertigo plot holes didn't bother the Sight and Sound panel.

Vertigo


And the Award for Unique and Artistic Picture of 1958 is...Touch of Evil


Touch of Evil

A Touch of Evil is Orson Welles's later film noir set on the U. S. Mexico boarder. There may be some plot points of this film that are a little sketchy, but the overall impact of the film is so strong and involving, I didn't care. And the long shot opening scene is classic. 

The movie stars Charlton Heston as a Mexican lawman and Janet Leigh as his American wife. But it is Welles himself as Police Captain Hank Quinlan that really steals the show. Quinlan is overweight, drunk, unprincipled and thinks himself above the law when he's on a case. As impressed as we might be with Welles the director, Welles the actor is pretty good too. He's got great roles for his supporting players here too, including: Dennis Weaver, Marlene Dietrich and Akim Tamiroff.

Touch of Evil

Friday, August 23, 2019

1956 BEST MOVIE OF THE YEAR!


This is my choice (choices) for Best Picture for the year 1956.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). 

And the nominees on the entries from 1956 for every edition of 1001 Movie You Must See Before You Die are...
Forbidden Planet
The Burmese Harp
The Searchers
A Man Escaped
Written on the Wind
The Man Who Knew Too Much
Giant
All That Heaven Allows
Invasion of the Body Snatchers
The Wrong Man
Bigger Than Life
High Society
Aparjito


                    


And the winner for the Best Picture of 1956 is…The Man Who Knew Too Much

The Man Who Knew Too Much

Very entertaining Alfred Hitchcock thriller about a doctor (Jimmy Stewart) and his ex-perfomer wife (Doris Day) whose son is kidnapped while they are on vacation in Marakesh. They embark on an odyssey that sends them across continents, up a few blind alleys and finally to the Royal Albert Hall in London.

One of my favorite scenes is when Stewart goes to meet Ambrose Hall to get information about his boy, only to find out the Ambrose Hall he goes to is the wrong one! Just one of Hitchcock's misdirections, but a interesting bit of comic relief at a tense time in the movie.

Jimmy Stewart does his usually fine job as the everyman caught up in a situation over his head (Assuming you can call a successful doctor with a beautiful and talented wife an everyman.) And Doris Day is also very good. It makes you wonder how she would have done if she had veered off into more dramatic parts instead of Please Don't Eat the Daisies type roles.

There are also lot of clever touches in the John Michael Hayes script, including much of the banter between Stewart and Day.
The Man Who Knew Too Much


And the Award for Unique and Artistic Picture of 1956 is...Forbidden Planet


Forbidden Planet

Here are the top ten reasons Forbidden Planet is one of the most fondly remembered films all 50’s sci-fi films.

Number 10 Anne Francis’s uber-short mini-skirt!

Number 9 Despite the quality of the production, it can still be a bit cheesy at times.: Examples include the flying saucer shots which aren’t really that much better than the ones from Fire Maidens From Outer Space and the supposedly nude Alatara clearly wearing a body suit.

Number 8 Special appeal for Trekies. This film was clearly a clearly a blueprint for much of the original Star Trek universe: Dashing commander who goes to an unknown planet and makes out with the only girl there! Dashing commander hangs out with the ships doctor, who really is closer to Spock than Mccoy. Blasters-which are called phasers in Star Trek, and more space jargon (you know, like the explanations from Star Trek why a worm hole will be closing up because of an exploding Super Nova in the next galaxy that is really hard to understand, but you just have to except it as a given plot point) is used here than you can shake a blaster at.

Number 7 High brow appeal in that Forbidden Planet is often compared to Shakespeare’s The Tempest

Number 6 Special appeal for Freudians as the Id plays such an important part in this story

Number 5 The fine supporting cast including the guy who later was on Police Woman, the guy who was later on Maverick and the guy who was later on The Six Million Dollar Man.

Number 4 Walter Pidgeon as Morbius is indeed a tragic character out of Shakespeare, though it might take a minute to realize that the pre-Airplane! Leslie Nielsen actually says his lines straight!

Number 3 The fact that the creatures are more of the mind than anything avoids the film from having any bad monster makeup that would seem dated now.

Number 2 The look of the film, the color, and the fact that it is in Cinemascope makes this production great to look at. Dr. Morbius’s lab is also pretty impressive.

But the Number 1 reason that Forbidden Planet is one of the most fondly remembered films all 50’s sci-fi films is: Robby the Robot!


Forbidden Planet

Monday, August 19, 2019

1954 BEST MOVIE OF THE YEAR!


This is my choice (choices) for Best Picture for the year 1954.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). 

This year is often noted as being the best year of the Classic Movie era. There are a lot of potential choices here, but my two winners seem pretty clear.

And the nominees on the entries from every edition of 1001 Movie You Must See Before You Die are...
Johnny Guitar
On the Waterfront
Seven Brides for Seven Brothers
Les Diaboliques
Animal Farm
Rear Window
A Star is Born
The Barefoot Contessa
La Strada
Senso
Silver Lode
Carmen Jones
Sansho the Baliff
Salt of the Earth
                    
And the winner for the Best Picture of 1954 is…Rear Window

Rear Window

In Rear Window, Stewart plays Jeff Jeffries, a photographer with a broken leg and an impossibly beautiful society girlfriend (Grace Kelly) who likes to bitch at him about his lifestyle and talk about eating at Twenty-One. Jeffries has little to do but sit around his apartment and spy on his neighbors, who seem to, luckily for the movie audience, not believe in curtains. We, the viewer, get to put ourselves in the postion of Jeffries, also the viewer, and live vicariously through him. Of course, he witnesses foul play from one of these neighbors and putting together the puzzle pieces as to what is going on is most of the fun in one of my favorite Hitchcock movies.

Rear Window


And the Award for Unique and Artistic Picture of 1954 is...The Seven Samurai
The Seven Samurai

I had never seen an Akira Kurosawa movie until about fifteen years ago when I decided to finally pick up a copy of The Seven Samurai from the Criterion Collection. And after my viewing, I have to admit I was blown away. It's definitely on the short list of greatest films of all-time by any definition. 

It's the story of seven samurai warriors hired by villagers to save their village from the onslaught of oncoming bandits. It's great as an adventure film, a philosophical treatise of good vs. evil, right and wrong and there are so many stories within the film's many characters, that one can watch it many times and always get something new out of it. I liked it watching it for the third or fourth time this time out and hope not to wait so long before watching it again.

The Seven Samurai was remade in America as The Magnificent Seven, but that film pales when put up against the original in my opinion.

The Seven Samurai

Monday, July 29, 2019

1943 BEST MOVIE OF THE YEAR!


This is my choice (choices) for Best Picture for the year 1943.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). 

Mob mentality run amok and yet another Hitchcock!

And the nominees on the entries from every edition of 1001 Movie You Must See Before You Die are...
Meshes of the Afternoon
Fires Were Started
The Man in Grey
The Life and Death of Colonel Blimp
I Walked with a Zombie
The Seventh Victim
The Ox-Bow Incident
Shadow of a Doubt
Ossessione
                    

And the winner for the Best Picture of 1943 is…Shadow of a Doubt

Shadow of a Doubt

The plot of Alfred Hitchcock'sl suspense classic Shadow of a Doubt really unravels slowly, but I didn’t mind that. The story gets where its going at its own speed and the slow arc heightens the drama. A good cast (led by Joseph Cotton and Teresa Wright), a good story and a pretty decent director too.

And as I often do when I spot them I must point out a great librarian moment. Teresa Wright has got to get hold of a newspaper article from the local public library that may or may not incriminate her Uncle. But the library has just closed! And what does the kindly librarian do? She lets the distraught young lady in and gets down the newspaper in question and gives Teresa three minutes to find the article she is looking for so the plot can continue. A thoughtful professional, I must say.
Let this be a reminder: If you need to use the public library, please make note of library hours and judge your time accordingly. Librarians have lives too!

Shadow of a Doubt


And the Award for Unique and Artistic Picture of 1943 is...The Ox-Bow Incident


The Ox-Bow Incident

I remember back in the days of Poli Sci at good ole watching this film along with a film about the Leo Frank/Mary Phagan criminal case. Both are good examples of mob justice reaching the wrong conclusion.

After Viewing: Another case of a studio head (Zanuck of Fox) making a film that he knew wasn’t going to make a profit simply because he (buoyed by the persistence of director William Wellman) knew it could be memorable film. And he was right in my opinion.

Glamorous leading ladies needed: So much for the glamorous leading ladies of the forties. The two females with any screen time at all in this film are Jane “Ma Joad” Darwell and Margaret “Wicked Witch of the West” Hamilton.

DVD commentator discrepancy: Two commentators on this DVD. One, William Wellman Jr., discusses how rare it is that his father would change any original material when he adapted a book for a film. The other commentator then gives us several examples, including two characters that were morphed into one, of how the senior Wellman did just what is son said he almost never did!

I did give Colonel Blimp and Ossessione some consideration for this category. So it goes.

The Ox-Bow Incident

Thursday, February 21, 2019

1959 BEST PICTURE OF THE YEAR!

I have decided to name my choice for Best Picture for the year 1959.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). 

Some years are more difficult than others. Few years have as many good choices as 1959. I'm glad I designed this to have two winners. 

And the nominees on the entries from every edition of 1001 Movie You Must See Before You Die are...
The 400 Blows
North by Northwest 
Some Like It Hot 
Anatomy of a Murder
Ride Lonesome 
Black Orpheus
Shadows 
The World of Apu 
Breathless 
 Ben-Hur 
 Pickpocket 
 Hiroshima Mon Amour
Rio Bravo

And the winner for the Best Picture of 1959 is…North by Northwest
North by Northwest

I’m giving this to what I think is one of Alfred Hitchcock’s most entertaining films. It’s still one that works over repeated viewings, even if you know where the twists and turns of the plot are going ahead of time. Some Like It Hot (If you prefer classic comedies) or Ben-Hur (the actual Academy Award winner) could have been good choices, but I really couldn’t go against North by Northwest.
North by Northwest

And the Award for Unique and Artistic Picture of 1959 is...The World of Apu
The World of Apu

Like the Academy did for Lord of the Rings, I'm giving this to Apu more for the whole trilogy than just the final film. Few films have ever seemed more real than Ray's depiction of a Bengali village and it really puts you right there in the life of this family. Despite the tragedies that unfold in Apu's life, I'm glad I was there to vicariously experience them with him. What a tough choice for this category! The 400 Blows, Shadows, Breathless and even Hiroshima, Mon Amour could have fit into this category as well, but also like the Academy, there is a tendency to gravitate towards the picture freshest in your mind. But I stand by choice.
The World of Apu

Thursday, February 1, 2018

FRENZY (1972, GREAT BRITAIN), SUPER FLY (1972)

FILMS OF 1972 


The 1001 Book lists 18 (19 with the later addition of The Lady Vanishes) Alfred Hitchcock movies on the essential viewing list-by far the most of any director. The first is Blackmail (1929) and the last is Frenzy (1972). Quite a time span of influence! I’m pretty sure I first saw Frenzy on TV during the 70's. Watching it now, I do like the film, though I wouldn't put it in the top echelon of Hitchcock films on the list. It feels like a good BBC procedural, with little extra twists of violence thrown in.

Here is the 1001 Hitchcock list:
Blackmail (1929)
The 39 Steps (1935)
Sabatoge (1936)
The Lady Vanishes (1937)
Rebecca (1940)
Shadow of a Doubt (1943)
Spellbound (1945)
Notorious (1946)
Rope (1948)
Strangers on a Train (1951)
Rear Window (1954)
The Man Who Knew Too Much (1956)
The Wrong Man (1957)
Vertigo (1958)
North by Northwest (1959)
Psycho (1960)
The Birds (1963)
Marnie (1964)
Frenzy (1972)


After you've gone through the 19 films on the 1001 list, there are plenty of others left (To Catch a Thief, Lifeboat, I Confess etc.), and try to catch a couple of episodes of Alfred Hitchcock Presents while you're at it!

A crowd of people stood and stared...
Mr. Hitchcock (with the bowler hat) 
looks over the crime scene in Frenzy


Gordon Parks Jr.'s Super Fly is about as far away from Frenzy as you can get, other than the fact they came out the same year. Though Super Fly  is part of the culture of the 70's cinema, (Blaxplotation cinema specifically), I had never actually seen it before! The plot involves Youngblood Priest (Ron O'Neal), a drug dealer trying to get out of the business and go legit. It is essential seventies viewing, enhanced by Curtis Mayfield's score and ongoing chorus-like descriptions of the actions. Maybe the first movie use of the phrase “pops a cap on your ass," but I have no historical documentation of this. My favorite quote from the film, "Eight-track stereo, color TV in every room and can snort half a piece of dope every day! The American dream!"..."Cadillac, El Dorado...You always got some super fly shit!"

Ron O' Neal and Sheila Frazier discuss the American Dream
in Super Fly


Here are 25 movies released in 1972 not on the 1001 movie list that I have seen at some point. I've listed where or when I first saw them as far as I can recollect.

1. 1776
Where or when did I first see it? At an Atlanta theater during the 1976 school year.
Our middle school had a field trip during the bicentennial year to see the then four-year old musical film adaptation of the Broadway musical 1776. Our class really did get into it applauding and cheering at the appropriate times (I remember special applause for the home state Georgia boy Lyman Hall!).


Since that time, I've seen the film many times and it is one of my favorite musicals. Who wouldn't love a musical about the founding fathers, eh? Well, I've always loved the songs. The picture below is my own poster of 1776. You have one too, don't you? Well, don't you?




2. Blacula
Where or when did I first see it? I'm hazy on the facts on this one.
I'm sure I've seen this 70's black version of Dracula…I think I have anyway. Or maybe I'm thinking about the David Niven movie Old Dracula, where Niven becomes black at the end. to mate with his mate Teresa Graves? But I digress.


3. Everything You Ever Wanted To Know About Sex But Were Afraid to Ask
Where or when did I first see it? Midnight movie at Perimeter Mall theater.
Woody Allen comedy of vignettes has many highlights: Gene Wilder falling in love with a sheep, a mad scientist movie re-imagined with the mad scientist (John Carradine) as a sex researcher and the inner workings of what goes on in your body while you are in the state of arousal.





4. Play it Again, Sam
Where or when did I first see it? Network TV premiere.
Based on Woody Allen's play and starring Allen, but directed by Herbert Ross. Lonely schlep Allen is haunted by the ghost of Humphrey Bogart to show him how to deal with women in a more effective way. Another Allen favorite from the 70’s. First teaming of Allen and Diane Keaton.



5. Man of La Mancha
Where or when did I first see it? TV in the 70's.
There are some great songs in Man of La Mancha, with The Impossible Dream being the signature song. A local production I saw actually made a greater impression on me than this film did.
 
6. Now You See Him, Now You Don't
Where or when did I first see it? Atlanta's Plaza Theater, 1972
Another one of those Disney/Kurt Russell movies from the early 70's. The real story of this movie for me was the trip back home from the theater on the bus. I was riding home with my brother when I noticed a woman a couple of seats ahead of me who seemed to be very upset. She left her seat and went to complain to the bus driver (a big fellow from what I remember) about a man that was harassing her. The bus driver pulled the bus over and confronted the man. The driver called the police in and locked the doors so the man couldn't escape. The man tried to kick his way out of the door to no avail. The police came quickly and took the man away. This event obviously made a strong impression on a nine-year-old for me to remember it so vividly so many years later.


7. Kansas City Bomber
Where or when did I first see it? TV in the 70's
A growing boy in the 70's is going to take notice of sex symbol superstar Raquel Welch. And I suppose Raquel as a roller derby queen was probably as good a vehicle as she ever had (Other than the cavewoman in One Million Years B. C.). 




8. Private Parts
Where or when did I first see it? Silver Screen Theater in 1980.
I can't remember what was on the second part of this double feature, but Private Parts is a weird, campy and strange movie. Since I was seventeen when I saw it, it would be interesting to see it again through a slightly older lens.


9. Snoopy, Come Home
Where or when did I first see it? Pretty sure on CBS television.
I watched an awful lot of Peanuts during the 70's. It does seem the seasonal Peanuts specials have had more staying power than the feature films.





10. What's Up, Doc?
Where or when did I first see it? TV during the 80's.

It seems like an updated screwball comedy from devoted movie lover Peter Bogdanavich would have resonated with me more, but I remember being a bit disappointed in it. It may be one to see again.




11. Canterbury Tales
Where or when did I first see it? The Silver Screen Theater in 1980.
Pier Pasolini's Canterbury Tales  is a movie I went to see during the period I was reading it in school, which was interesting. My teacher found the bawdy tale offensive, but I found it rather ribald and funny.





12. Butterflies Are Free
Where or when did I first see it? Televison during the 70's.
I wish I had more memories of this cute Goldie Hawn falling for the blind Edward Albert vehicle other than it's about the cute Goldie Hawn falling for the blind Edward Albert, but so it goes.




13. The Candidate
Where or when did I first see it? TV during the 80's.
I believe I watched this “How to market a political candidate” movie while I was taking similar classes in college. Jerry Larner won a Best Screenplay Academy Award for his insightful screenplay.



14. Conquest of the Planet of the Apes
Where or when did I first see it? TV during the 70's.
I went to a panel at last year's Dragon Con that celebrated the 45th anniversary of Conquest of the Planet of the Apes. The Panel made some good observations about the film. It really does come across in retrospect being about revolution with revolutionary ape Roddy McDowell leading the way


There are actually books in the series based on Conquest of the Planet of the Apes that sound interesting.



15. The Cowboys
Where or when did I first see it? Ed Howell’s Halloween party
What better movie to dress up for Halloween and go to than a John Wayne Western! I guess it's okay
if you happened to be dressed like a cowboy (I wasn’t. I was dressed as a little league baseball player). Enjoyed The Cowboys at the time. Basically known as John Wayne trying
teach a bunch of kids to be grown up cowpokes. Movie also featured Roscoe Lee Browne playing a character with the wonderful name of Jebediah Nightlinger…And Bruce Dern taking an interesting turn as a particularly slimy villain who
SPOILER...shoots John Wayne in the back.

I also remember the short-lived television series based on the film which didn't have Wayne, Dern or Browne return. It did have a lot of the kids...and was short lived…so it goes.



16. Deep Throat
Where or when did I first see it? The Playboy Channel in the late 80's
Oh, those innocent days of The Playboy Channel where you got to see R-rated versions of X-rated films if you set your antennae just right! I knew about Deep Throat (Not the Watergate informer) long before I was old enough to see it. I remember looking at the Atlanta Constitution movie page and seeing the same add for Deep Throat playing at the New Glenn Art Cinema for the 50th...100th...200th...week! Though I've only seen the R-rated version (which must have been a really short feature now that I think about it.) I don't have any desire to see the unedited and (ahem) uncut version.



Not the exact Deep Throat ad 
I'm referring to-but pretty close



17. Frogs
Where or when did I first see it? Orlando, Florida, 1976.
Went to Disney World with a church youth group  and what did we do after visiting The Hall of Presidents and riding on The Dumbo ride during the day? Why spending that night watching a campy horror film about killer frogs! I can't remember much of the plot...but it certainly was no Night of the Lepus!


Note to film buffs: Disney had a great attraction in those days where you could go in and watch silent films. It was replaced I'm guessing by something a little more commercial. Damn society.


18. The Getaway
Where or when did I first see it? Pretty sure it was on Network TV sometime in the 80's.
Sam Peckinpah and Steve McQueen in an action thriller seems like a great combination, though memory on this is a bit hazy. I feel this is one I need to revisit.







19. The King of Marvin Gardens
Where or when did I first see it? Part of a film class at West Georgia College, 1981.
Presented in that class as typical of 70's loner type films, I really thought this was an excellent and underrated film. Definitely need to revisit this one because some films you should watch at LEAST once every 35 years!



20. Night of the Lepus
Where or when did I first see it? TV during the 70's, also saw the version on Rifftrax.
The best way to catch giant killer bunnies is to build a giant Elmer Fudd...I think this was one of the lines on this movie from Rifftrax. The film was also featured in an influential movie book (At least for me) The Golden Turkey Awards. It's pretty silly stuff and if you’re looking for weightier rabbit fare, I'd recommend Harvey or Watership Down instead.


Star Trek alert: Night of the Lepus features Dr. McCoy (DeForrest Kelley) and Paul Fix who played the ship's doctor in the pilot of that series.



21. The Poseidon Adventure
Where or when did I first see it? Network TV premiere.
By the time I got into going to see disaster movies at the theater, The Poseidon Adventure had already passed its theatrical run. But I was ready for the TV premiere!I hear the song "The Morning After" being triggered in my brain as I type! I know with these disaster films it was often a sort of scorecard game keeping track of which celebrities will live and who will die, but the concept of a ship turning upside down and people trying to make their way to the bottom is still a pretty cool concept to me. I still don't understand the thinking behind Beyond the Poseidon Adventure (1979), but that's another story.




21. Silent Running
Where or when did I first see it? At the Silver Screen Theater in the early 80's, might have been on a double feature with Slaughterhouse Five.
The ecologically friendly outer space botany epic Silent Running, has more in common with the cerebral 2001: A Space Odyssey than future adventuresome space epics like Star Wars, but I'm pretty sure George Lucas got his cute droid idea from Silent Running.

Note: A nice trio of 1972 film roles for Bruce Dern: the villain in The Cowboys, a fine acting turn in The King of Marvin Gardens and the botanist hero in Silent Running.




22. Slaughterhouse Five
Where or when did I first see it? At the Silver Screen Theater in the early 80's, might have been on a double feature with Silent Running.
Kurt Vonnegut's off-beat time travel Tralfamodore/ World War II cerebral book seems unlikely to spawn a successful feature but George Roy Hill manages to pull it off quite well in my estimation. This is still one of my favorite films. So it goes.




23. Marjoe
Where or when did I first see it? Library DVD recently.
The first time I remember seeing former child TV evangelist turned actor in was as a closeted homosexual in Earthquake. Or maybe it was as one of the macho motorcycle gang in the campy but fun macho TV movie, Pray for the Wildcats?  He later starred in such 70's "classics" as Viva Knievel!, Sidewinder One and Food of the Gods.

But you can't join the Marjoe appreciation society unless you watch the Academy Award winning documentary about his rise as a boy televangelist simply titled Marjoe. It's a fascinating look at his life in front of the audience as a kid and later as someone just trying to manipulate the masses for a buck as a young adult before he got the call to Hollywood. I know he has plenty of detractors, but I can't help but like the guy. So it goes.





And Marjoe's record album
Bad, but Not Evil
(How he defines himself in the documentary)
has got to be a collector's item.


24. The Legend of Boggy Creek
Where or when did I first see it? Recently on YouTube
There have been several Boggy Creek movies about the Fouke monster or a Bigfoot type creature throughout the years, but only one original Legend of Boggy Creek. It was certainly a buzzworthy movie from my elementary school class, thought I don't think many of of us actually ever saw it at the time! I'm surprised it took me this long to see it and in a way I have to admit I kind of like it. It has an I can't decide if it's a documentary or a feature film feel to it and it often veers way off the subject to just show some of the locals talking..but this does provide some interesting context and atmosphere. We also get to here "The Ballad of Travis Cunningham," though young Travis doesn't seem to have a lot to do with the overall plot. Charles B. Pierce is the auteur behind this odd franchise which includes Charles and his often shirtless son Chuck starring in Boggy Creek II: The Legend Continues (1985) which was riffed on MST3K and the awful but not in a good way Return to Boggy Creek (1977), which is colossally boring despite a rare starring role for Dawn (Mary Ann) Wells.



25. Jeremiah Johnson
Where or when did I first see it? Recently on DVD
One of the most popular movies of 1972 and one that I never got around to seeing before, I finally popped it in the DVD player and thought it was a pretty good starring role for Robert Redford and another in a series of films of the era about a guy just wanting to get away from it all. He meets good injuns, bad injuns, falls for native American girl (eventually) and adopts a son, meets a wise mountain man, an eccentric mountain man, seeks revenge on those that harmed his family...a lot of the usual tropes. I thought it was well done, though. 




Oh, those long ago days of 1972
when a game of Chess could make
the cover of TIME magazine

Until next time!