Showing posts with label Franklin J. Schaffner. Show all posts
Showing posts with label Franklin J. Schaffner. Show all posts

Tuesday, June 25, 2019

BULLITT (1968), PAPILLON (1973)



One of my favorite movie stars has always been Steve McQueen. He really had a special electricity when he was on the screen. However, his reputation as an actor was of someone who was more than a little difficult. I recently listened to the audiobook on Mcqueen's life by Marc Eliot titled (oddly enough) Steve McQueen.

Steve McQueen and his 1968 Ford Mustang
in Bullitt

This fandom makes it surprising (at least to me) that I've never seen Bullitt before. A favorite of many McQueen fans and a forerunner to future cop movies like Dirty Harry, I'm happy to say that I liked the film after finally viewing it, including the famous car chase scene which I can't believe I've never seen until now! McQueen could have made a successful franchise of Bullitt films, but didn't like to repeat himself, which was probably to the benefit of Clint Eastwood.

Dustin Hoffman and Steve McQueen
in Papillon

Papillon, on the other hand, was one of the first "adult" movies I ever saw at the theater. By adult, I mean not a Disney production, a film that featured a friendly otter or any type of movie with the Brothers Grimm listed somewhere in the credits. I was certainly predisposed to liking it when I saw it in 1974 at age 11 and luckily, I found this tale of a man sentenced to a French prison camp and later Devil's island engrossing then and still find it a fine film. We did make jokes at the time about him having to eat roaches, though I think that was just a coping mechanism as there really isn't anything funny about being on half rations! McQueen is very good in the film and I'm not sure how he didn't get at least an Academy Award nomination for it. It's the kind of performance where you just know the actor went through the ringer physically and emotionally and is usually the kind of role the Academy usually likes. Maybe they just couldn't bear to nominate the difficult McQueen.

Additional note: The screenplay for Papillon was written by former blacklisted writer Dalton Trumbo. Trumbo found the original novel by Henri Charriere to not really be all that compelling to put on film. He changed a good deal of the story around, beefing up the role of Papillon's forger friend Louis Dega (Dustin Hoffman).Another book recommendation for those interested in Trumbo is the Trumbo biography by Bruce Cook. This book was later adapted to film as Trumbo starring Bryan Cranston.



Irrelevant additional note: The above picture is of an album I bought in 1974. It was put out by Pickwick records and featured covers of movie themes of the day.The album cover had a picture of what looked like a possessed girl like in The Exorcist, a Mia Farrow and Robert Redford look-alikes, a drawing of a guy who looks like Al Pacino in Serpico but isn't Al Pacino and a picture of a bird that I'm guessing was supposed to represent Jonathan Livingston Seagull. No Papillon pictures on the album cover, but a cover version of Jerry Goldsmith's Papillon theme song is included.

Cover of Idiot magazine
May 1974, Issue no. 2

Even more irrelevant additional note: I wrote a few issues of a MAD magazine like magazine titled IDIOT in 1974 when I probably should have been working on my Algebra instead. My first movie satire was of Papillon, which I predictably called Crapillon.

 Papillon satire from Idiot magazine
May 1974, Issue no. 2

Sunday, August 16, 2015

PATTON (1970)

ALL THIS AND WORLD WAR II MONTH
(Post 6 of 10)


It was interesting to hear Francis Ford Coppola's take on his writing of the script for Patton. He wrote the script several years before the movie ever saw the light of day. He was criticized by the studios for the opening sequence with Patton in front of an American flag for addressing the troops mostly because the powers that be thought it was confusing and no way to start a movie. When the movie was finally made, Edmond North added accurate historical information to the story and the movie was made with Planet of the Apes director Franklin Schaffner at the helm. George C. Scott was cast as the general and the movie became an enormous hit which one several Academy Awards including a screenwriting Oscar for Coppola and North.

And that rejected opening scene is probably the most famous part of the movie.

Love the General or hate him, Patton was and still is a film that's hard to ignore.


From the Soundtrack of All This and World War II



Certainly fitting that Electric Light Orchestra front man Jeff Lynn should get a cut on the soundtrack. ELO is still one of my favorite 70's bands (or orchestras) with hits like Do Ya and Don't Bring Me Down. Jeff teamed up a lot with Beatles George Harrison throughout the 80's and beyond, including the formation of The Traveling Wilburys with George, Bob Dylan, Tom Petty and Roy Orbison. If you're scoring at home, Jeff's Lynne's alter-ego was Otis Wilbury.

The Traveling Wilburys

Jeff contributes versions of With a Little Help from My Friends and Nowhere Man on the soundtrack.


Musical renaissance man Richard "Ricardo" Cocciante gives us a passionate rendition of Michelle for the soundtrack. The fact that Michelle uses two languages is no sweat for this multi-lingual performer, who also performs in Spanish and Italian during his concerts.


Lynsey De Paul was a bit of a renaissance woman in her own right. She was not only a performer of hits like Sugar Me, but she also wrote songs and musicals for others to perform. I know her best for the theme song to the 70's BBC show No, Honestly. I saw two episodes of this program and remember nothing about the show itself, but Lynsey's catchy theme song has stuck in my head for forty years!

She was also romantically linked to a lot of well know men, including Mr. Ringo Starr (below).


Because