Monday, September 26, 2011

THE BIRDS (1963), MARNIE (1964)


Today’s ‘Tippi’ Hedren double feature

If anyone is talking about watching a Tippi Hedren double feature, they are more than likely talking about the two Alfred Hitchcock films in which she starred, The Birds and Marnie. (I guess you could be talking about The Harrad Experiment or Countess From Hong Kong, but that doesn’t seem very likely.)

When I was a kid, I first knew about Alfred Hitchcock as the narrator of his weekly anthology series. Because of this series, he was the one director that even an eight-year-old kid could name. I thought he was primarily a horror director because I knew about Pscyho and the famous shower scene even before I was old enough to watch it. The other film I knew him for was The Birds. I believe this was the first Hitchcock movie I saw. I’m pretty sure I saw it on the late, late show. All you really need to know about the plot going in is that involves bird attacks on a small resort community outside of San Francisco.

Seeing it now, I still have a great affection for it. Some may scoff at the special effects today, but let’s see anyone else do what Hitchcock did with bird attacks without the benefit of modern day computer enhancement techniques. (You might end up with something like the infamous Night of the Lepus, which featured the terrorizing attack of killer bunny rabbits!)

One thing I like about the script by Evan “Ed McBain” Hunter is the slow build to the bird attacks. We get hints here and there of what is going on until escalated bird attacks begin to dominate the second half of the movie. I especially liked the scene at the café featuring octogenarian ornithologist Ethel Griffies where there is a heated debate over the reasoning behind the bird attacks.

There's also enough here for the audience to care about what happens to the characters. They feature the serious minded lawyer played by Rod Taylor, his possessive mother played by Jessica Tandy, the baby sister, played by Veronica Cartwright and the lovelorn school teacher played by a Suzanne Pleshette. All are all pretty good here.

But the lead role is undoubtedly the character of Melanie Daniels, played by former model Tippi Hedren. Hitchcock certainly cast beautiful blondes in his movies, but Eva Marie Saint in North by Northwest, Kim Novak in Vertigo or Grace Kelly in Rear Window, are all films that focus largely on the point of view of the male lead. In The Birds, Tippi is definitely playing the main character. And she is more than adequate in the role and she gets pecked at by hundreds of birds quite nicely.

I also have the famous picture from Life magazine hanging in a frame on my office wall of Tippi Hedren being attacked by birds with Alfred Hitchcock enjoying a nice turkey dinner in the background. Well, doesn’t everyone have a picture of Tippi Hedren hanging somewhere in their home?

Though she never became a Grace Kelly or even an Eva Marie Saint-type star, Hitchcock obviously liked her enough to cast her in his next film, Marnie. I’ve never got around to watching Marnie before, mostly because its reputation was never that great. But it clearly is well thought enough by someone to make the 1001 Movies You Must See Before You Die book, so I guess it’s time for me to enter Marnieland.

After viewing:

I found Marnie, the movie, a tough nut to crack initially, just like Marnie the character, is a tough nut to crack in the context of the movie. I actually liked Tippi quite a bit here. She has some very tough emotional scenes and pulls them off pretty well. I had more problems with Sean Connery’s character of Mark, the rich industrialist who discovers that Marnie is a thief yet falls in love with her despite the fact that she is so distant from him. According to original screenwriter Evan Hunter, the original book still has the Mark character, but also has a seperate character that is a psychiatrist who begins to unpeel the layers of Marnie’s psyche. In the movie, Mark the romantic interest and the psychologist (at least of the amateur variety) are the same person. It just seems too much coming from one character, even from the guy who played James Bond.

Eventually, I did become more emotionally involved in the plot and liked the way they handled some of the characters revelations at the end of the movie.

Well, I think I have about ten or so more Hitchcock movies to go on the 1001 list, but I’m afraid my time with Miss ‘Tippi’ is done. It took me thirty years, but I’m glad that I was finally able to complete the second half of the Tippi double feature.


Friday, September 23, 2011

THE RED SHOES (1948, GREAT BRITAIN)


Since I viewed the classic Powell/Pressburger ballet film The Red Shoes with my niece Krista, who actually does ballet, I thought I would ask her to write the blog for this film. She refused.

I recount the conversation thusly.

Uncle Chris: Tell me again why don’t you want to write this blog for me? You do know more about ballet than I do.

Krista: (unenthusiasticly) I know. I did like the movie. But I’ll leave the blogging up to you.

Uncle Chris: You’ll have to do better than that. Let's see. Why don’t we play a little word association? What did you think of the dancing in the movie?

Krista: The dancing? The dancers were skilled. Everything was precise. Meticulous. Would that be the right word?

Uncle Chris: Yes, meticulous. What did you think of the color?

Krista: Vivid. Striking. Foreshadowing of doom. Part of the plotline in that the dance of the red shoes reflects the dancer’s own life.

Uncle Chris: Good. What did you think of the story?

Krista: Unique. Very sad. Ironic that all she ever wanted to do be this great dancer, but it ended up ruining her.

Uncle Chris: Do you think a dancer might enjoy this film more than a non-dancer?

Krista: Definitely. I’ve felt similar stress, though perhaps not to that degree. But dancing is invigorating. Dancing is rejuvenating. Dancing is life!

Uncle Chris: Excellent! Now, did you think the composer character in the film was right?

Krista: About what?

Uncle Chris: It’s the music that creates the scene. The dancer must keep up and follow the composer’s lead.

Krista: Are you trying to agitate me? It’s the dancing! It’s ballet! It’s about dancing!

Uncle Chris: There’s the passion I’m looking for! Let’s see you do a pirouette.

Krista: No. You do a pirouette!

Uncle Chris: I couldn't if I wanted to. How about you doing one of those breezy bowlees?

Krista: Do you mean brisè volè?

Uncle Chris: Right

Krista: The answer is still no. And for your information, I’m neither a little child or a performing monkey!

Uncle Chris: Fine. Back to the film. Anything else in The Red Shoes that made you mad?

Krista: Not really. Well, maybe the ballet company seemed a bit too happy. It’s really a lot more cutthroat than that.

Uncle Chris: Well, since we are on the subject of dancing, I think this would be a good time for you to state your complaint about the scene from the movie Far From Heaven that you didn’t like. I give you the floor.

Krista: Thank you. They’re trying to set this scene in Far From Heaven of a happy Christmas right? And the little girl, who is about eight, gets point shoes! She’s eight years old! That will mess up her feet at that age. And then she compounds the error by saying the other girls in the class already have them. Who is running this class? Cruella De Ville?

Uncle Chris: Thank you for showing us your intensity. That concludes…

Krista: (Now enthusiastic) Can I talk about Twilight now?

Uncle Chris: That’s really off topic. We were talking about movies with dance.

Krista: I need to vent about Twilight!

Uncle Chris: All right. What don’t you like about Twilight?

Krista: Everything! The actors can’t act. The makeup is terrible! The special effects are terrible! Spider-Monkey? What is a Spider-Monkey?

Uncle Chris: Thank you. That is the end of my-

Krista: I’m not done yet! The music in Twilight doesn’t even match up with the movie. It was just plain bad! They had to know how awful the first movie was, but unlike Eragon, they didn’t know when to stop making them! And the acting? Robert Pattinson and Kristen Stewart? Is that the best acting talent out there? Are you kidding me?

Uncle Chris: Are you done now?

Krista: (Wiping her brow) Uh, yeah I think I’m done…for the time being. I feel much better now.

Uncle Chris: Thank you. I knew you’d help me write my blog with a little prodding.

Krista: All right. Since you let me go on I’ll give you one dance move. How about a grande jetè?

Uncle Chris: My favorite. Knock yourself out.

(Krista postures for a moment before agilely leaping out of the room)

FIN

Friday, September 16, 2011

8 1/2 (1963, ITALY)



The final chapter of Claudia Cardinale week


Blog # 208 1/2

Cristoforo shook the snow off of his jacket as he entered the front door of his harem. The women all looked upon him with noticeable glee. Carlotta was the first to run up to him, placing a kiss on his left cheek as Venecia took his jacket.
Cristoforo, being a sensitive guy, hadn’t forgotten the women’s needs while he was away. He came bearing presents: A broken ear muff he found on the stoop for Carlotta, a plastic spider for Venecia, a nearly full box of Chiclets for Gabriela, a scratched forty-five of Tony Bennett for Francesca and some Comet toilet cleanser for his dear wife Daniela. He didn’t have presents for everyone, but the ones that didn’t get anything appeared happy just to be a part of the festivities. Isabella, the cook, had a large pot of pasta cooking for them all and clanged on it to indicate that dinner was prepared.

Before Cristoforo could get to the dinner table, he was stopped by Alessandra. She reminded him of his promise to put her in a future blog.

“Fine. How about Giulietta Degli Spiriti?” he asked her. Though Cristoforo had yet to see Giulietta Degli Spiriti, and didn’t know if there would be a part in it for her, she appeared satisfied with his answer.

Cristoforo then heard some harp music from behind him. He turned around to see Lucia, who broke free from her instrument and rushed to Cristoforo and gave him a hug.

“What about me?” she asked. “Could you use me when you do Amarcord, per favore?”

Cristoforo grasped her hands and kissed the tops of them. “But of course, my dolce studentessa di musica. Did I ever tell you that I too once had aspirations to be a great musician? When I was eight-years-old, I was the finest triangle player in my school. You should have heard me play Ave Maria…” Cristoforo noticed a couple of the ladies looking slightly embarrassed. He had obviously told this story before. Probably more than once.

Undaunted, Cristoforo went up to Isabella the cook, and presented his present to her: a wooden spoon. “Grazie, molto simpatico,” she said.

The lightheartedness of the mood was broken by Maria, a broken-down showgirl who at one time was Cristoforo’s number one mistress.

“ I don’t think you should eat yet!” Maria said this as she raced her way up to him, nearly in hysterics.

Most of the other women gasped at her impudence.

“I want to know why I’m being sent to the attic," she continued bordering on hysterics. "I’m still just twenty-six, no matter what my birth certificate says! I have a booty to die for.” She shook her posterior a couple of times in his face for emphasis but Cristoforo was more annoyed than impressed. He still tried to comfort her by putting a hand on her shoulder. Maria began to wail as she continued. “You said you were going to put me in your La Dolce Vita blog. You said I reminded you of Anita Ekberg!”

“My dear!” Cristoforo sternly interrupted her. “I have always tried to be honest with you. If you really reminded me of Anita Ekberg, I seriously doubt I would be sending you to the attic now. You know after you reach a particular age or your looks deteriorate to a certain degree, you have to move upstairs. It’s in the bylaws.”

“This is not fair,” she said, mascara tears running down her face. ”Look at the Saraghina. She is an ogre!”

They all looked at the frizzy-haired, six-foot-three, three-hundred pound Saranghina who in turn hissed in Maria’s direction.

“That is different,” he said sternly to Maria. “She was my first. I was just a boy. She performed the dance of he seven veils for me on the beach for a can of Starkist tuna. She gets a lifetime pass.”

“You monster.” Francesca said to Christoforo as she came over to comfort Maria. “Look how you’ve hurt this poor showgirl!”

“I will not put up with this kind of impertinence,” Cristoforo said. “Somebody run me a hot bubble bath while I listen to my music.” Cristoforo stripped off his clothes and wrapped a towel around himself before going over to his Victrola and putting on Wagner's Flight of the Valkyries. He began feeling relaxed again as the music played. He closed his eyes for a moment, but when he opened them, he noticed more of the women were looking at him with hostility.

His wife, Daniela, had come down from the upstairs attic and hurled the can of cleanser he had just given her at him. Others in the group began to follow suit by throwing their trinkets in his direction, and not in a loving way. The rebel women now began to surround him. Draped in nothing more than his towel, Cristoforo grabbed his trusty Indiana Jones bullwhip, which he luckily always kept close by and snapped it in front of them. The thwack made them all step back, which gave him time to head out the front door. He reopened the door, poking his head back in to give the ladies a final warning “I think all of you need to calm yourselves down. I’ll be back when you ladies learn how to beha..“ His final word was stifled by an earmuff that hit him squarely in the nose.

Cristoforo wanted to get as far away from his harem as he possibly could. He rubbed his nose where the earmuff hit it as he started down the road. He looked around him and noticed that the day was now sunny. A beautiful sixty-five degrees with no inclement weather in sight. It was then that a vision came upon him. She was dressed in white and had a noticeable glow to her. She handed him a glass of mineral water, which he took.

“My word. If it isn’t Claudia Cardinale! How nice to see you once again signorina,” he said before taking a drink from the glass.

As she continued to gaze in Cristoforo’s direction, it took him a minute to find his voice, “You’re so beautiful; I’m at a loss for words. You make my heart beat like a schoolboy’s…But why are you here?”

“I was about to ask you the same question,” Claudia said. “This isn’t the first time you’ve summoned me for one of your blogs.”

“Yes, Solyaris. Funny, you weren’t even in that movie. I was just trying to write about the perfect male fantasy woman.”

“Molto bene. But what is it you want this time?”

Cristoforo tightened the towel around him. “Very well,” he continued. “I just couldn’t come up with anything new to say about 8 ½. Many revere it. Some revile it. Entire forests have been chopped down to make books on interpretation of just this one film.”

Claudia touched his hand. “But how do you feel?”

“The first time I saw it, I was totally confused. The next time I saw it, I got a lot out of it, I think. This time, I began to get confused again. Then that harem scene. That’s one of my favorite scenes from any movie. And the finale! I love that part. Let’s just say that I’ve got some mixed opinions.”

Claudia leaned closer to Cristoforo. “Asa Nisi Masa,” she whispered.

“I always wondered what that meant,” he said. Is that anything like Hakunah Matata?”

Claudia grimaced as she shook her head.

“There’s an additional problem,” Cristoforo said. “I’m not sure how to end this blog.”

“You’ll think of something,” she said, coyly backing away just enough for him to see the Lamborghini parked behind her.

Cristoforo snapped his fingers before climbing to the top of the car and immediately stretched out his arms. He closed his eyes and began to sway.

After a couple of minutes Claudia cleared her throat. When he didn’t respond, she cleared her throat again. He finally opened his eyes and looked down at her. “What? I’m waiting to float away above the traffic, above everything, above-“

“No, no.” Claudia says. “That isn’t what I want you to do. Come with me.”

Claudia helped Cristoforo down from the car and they hopped in the Lamborghini. Claudia pointed to a suit hung up in the back of the car, which Cristofero put on. They drove for six minutes and forty-five seconds until they came upon an empty baseball park. They got out of the car and she took him by the hand and hurriedly took him to the center of the field. It was silent for a moment before he heard some music playing in the background that reminded him of the circus.

“I’ve come to stay forever I’ve come to create order. I’m here to cleanse. Do I make you happy? Claudia asked.

“Happy? Happiness is being able to tell the truth without anybody having to suffer. But I still don’t know what’s going on here.” Cristoforo replied.

It was then he noticed all the people. All the women of the harem had not only appeared in front of them, but had formed a chain and rushed past Cristoforo and Claudia in time with the music. Others began to join the group, most of whom Christoforo recognized. “Hey, that’s my third grade teacher. Hello, Mrs. Turner! And my Cousin who I haven’t seen in twenty years! And the Sri Lankan guy I used to buy hoagies from! And what is Eugene Walter doing here?”

The music got louder and the circle now formed completely around Cristoforo. Claudia grabbed his hand and pulled him towards the circle where they joined the procession. After a few minutes the music died away and everyone in the line stopped their march and applauded as a young man in white, about eight years old, came to the empty center of the gathering and played a flawless rendition of Ave Maria on the triangle.

Cristoforo shed a tear of joy as he pushed the publish button and posted successfully onto his blog.