Showing posts with label Frank Capra. Show all posts
Showing posts with label Frank Capra. Show all posts

Saturday, August 3, 2019

1946 BEST MOVIE OF THE YEAR!


This is my choice (choices) for Best Picture for the year 1946.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). 

Unlike 1945, 1946 gave me too many choices instead of too few.

And the nominees on the entries from every edition of 1001 Movie You Must See Before You Die are...
The Best Years of Our Life
Brief Encounter
Paisan
The Postman Always Rings Twice
My Darling Clementine
The Stranger
Beauty and the Beast
The Big Sleep
The Killers
A Matter of Life and Death
Great Expectations
Notorious
Black Narcissus
It's a Wonderful Life

And the winner for the Best Picture of 1946 is…It's a Wonderful Life


It's a Wonderful Life

There were so many worthwhile choices from this year, but how could I not go with the story of George Bailey, Bedford Falls and a guardian angel named Clarence? How many times have I seen this movie? Too many to count and it always hits the spot the right way. It's got to be the winner. The other category was a little harder.
It's a Wonderful Life

And the Award for Unique and Artistic Picture of 1946 is...A Matter of Life and Death

A Matter of Life and Death

Labeling which films should be categorized as Unique and Artistic is difficult. Maybe that's one reason the Academy dumped this award after one year.

A Matter of Life and Death doesn't have the epic narrative arc of the The Life and Death of Colonel Blimp or the scenic romanticism of I Know Where I'm Going!, but A Matter of Life and Death is the Powell/Pressburger film of the three that I enjoyed the most.

The plot of a doomed pilot that is snatched from the jaws of death accidentally and finds his true love is pretty similar plotwise to the later Heaven Can Wait. The film's fantasy elements and use of color and black and white film give the film an otherworldly effect similar to The Wizard of Oz. The section of the film with the pilot trying to make a case to stay on earth could have ventured into over sentimentalization, but never does. In fact, his trial before jurors from the after-life might be the highlight of the film.

The leads of David Niven and Kim Hunter in the film are fine. But the two performers that really stand out are Raymond Massey as the celestial prosecutor and Roger Livesy (who was in the other two films I mentioned and has one of the greatest screen voices of all-time) as the doctor.

A Matter of Life and Death

Saturday, July 13, 2019

1934 BEST MOVIE OF THE YEAR!




This is my choice (choices) for Best Picture for the year 1934.  My criteria is that I can only use films that are on the 1001 list. To make it a little easier on myself, I am using the rules of the first Academy Award and name a winner for Best Picture (won by Wings for 1927-1928) and Best and Unique and Artistic Picture (won by Sunrise from 1927-1928). .

And the nominees on the entries from every edition of 1001 Movie You Must See Before You Die are...
It's a Gift
Triumph of the Will
L'Atalante
The Black Cat
Judge Priest
It Happened One Night
The Thin Man
The Goddess
                    
And the winner for the Best Picture of 1934 is…It Happened One Night
It Happened One Night

Frank Capra's It Happened One Night is the romantic comedy prototype for all romantic comedies that followed. The plot has a spoiled runaway heiress (Claudette Colbert) and a cynical newspaper (Clark Gable) reporter finding each other on the road. She wants to get to New York. He wants a story. They bicker. They bond. They fall in love. My favorite scenes are the ones in the auto camp where the two begin to bond and conspire to avoid detectives on their trail. A must for film buffs. There are certainly contenders on this list (It's a Gift is my favorite W. C. Fields movie), but I can't quite knock It Happened One Night out of the slot it actually won for 1934.

It Happened One Night

And the Award for Unique and Artistic Picture of 1934 is...Triumph of the Will

Triumph of the Will

Leni Riefensthal's documentary Triumph of the Will was commissioned by the Nazi Party and filmed at the Nazi Party Congress in Nuremburg and included excerpts of speeches from high ranking Nazi officials as well as showing off the power of the Third Reich and how the people so gleefully (at least that's the way it was presented) accepted them. Understanding that Triumph of the Will is a propaganda piece, the film still is a record to a horrifying moment in time that needs to be seen. L'Atalante or The Goddess are definitely contenders here, but the significance and execution of Triumph of the Will puts this one over the top.


Triumph of the Will

Thursday, August 10, 2017

YOU CAN'T TAKE IT WITH YOU (1938)

MORE 1001 MOVIES FROM THE 30's
(Post 16 of 20) 


 Lionel Barrymore, Jimmy Stewart, Jean Arthur, Edward Arnold
discuss politics, romance and right and wrong
in You Can't Take It With You

You Can't Take it With You is a film (based on the successful Kaufman and Hart play) that is about a man from a financial well-to-do family (Jimmy Stewart) who falls for a girl (Jean Arthur) who is from a family of eccentrics (led by the grandfather, Lionel Barrymore). There are lots of fun goings on and it isn't too hard to not picture this film as being adapted from the stage. In the end, The lovable Vanderhof family (led by Barrymore) get the best of the business minded Kirby family (led by Edward Arnold)...but no surprise there. 

This film won the 1938 Best Picture Oscar...but didn't make the 1001 movie book cut.

And the Elisha Cook Jr. supporting player award goes to...(tie) Dub Taylor and Charles Lane. There are so many supporting players I could give this award to....Banker Edward Arnold, eccentric Mischa Auer, flighty Spring Byington, the meek Donald Meek, dancer Ann Miller, the put upon H. B. Warner and future Jack Benny regular Eddie "Rochester" Anderson. But I'm giving the award to two character actors that had exceptionally long Hollywood careers.

First is Dub Taylor. You Can't Take It With You is Dub's first screen credit. He racked up over 250 more movie and television credits during his career, culminating with Maverick in 1994. I always picture Dub as a grizzled prospector, but he played a variety of roles, many times as a heavy, and almost always in just a scene or two. Dub's memorable roles includes the guy that sets up Bonnie and Clyde in Bonnie and Clyde, the Reverend giving a sermon in The Wild Bunch and one of the three saloon old-timers (with Harry Carey Jr. and Pat Buttram) in Back to the Future III.

Taylor died in 1994 at the age of 87.

I'm guessing his role in You Can't Take It With You as the former Alabama football star who plays the xylophone is his only role where he gets to show off his xylophone skills, but I haven't researched it too thoroughly.

 Dancer Ann Miller and 
Xylophonist Dub Taylor in 
You Can't Take it With You

Dub Taylor before the bullets fly 
in Bonnie and Clyde

Charles Lane had an even longer career than Taylor. In You Can't Take It With You, he plays a stern, humorless IRS agent. He also plays Potter's associate in Capra's It's a Wonderful Life. It seemed like a stern and humorless suit without a heart is about the only part he ever played. He may be remembered best for the recurring role of Homer Bedlow on the sitcom Petticoat Junction, where he plays a stern, humorless suit (as always) who just wants to shutdown the train because...why does he always want to shut that train down again? Lane's sixy-five year career included 365 movie credits. About the only sympathetic part I can ever remember seeing him in was an episode of L. A. Law where he played an elderly bank robber. Lane died in 2007 at the ripe old age of 102.

No respect for the character actor: On the DVD extra for You Can't Take It With You, Frank Capra Jr. says something to the effect of "my dad always liked this actor, he used him often" during Lane's scene. You get that? Lane didn't even get his name mentioned in the commentary by the director's son even while praising his work!...Ah, the life of the character actor.

Lionel Barrymore gets the best of  I. R.S. worker
Charles Lane in You Can't Take It With You


Homer Bedlow (Charles Lane) schemes to shut down
the Hooterville train in an episode of Petticoat Junction.
I still can't remember why he wants to shut down
that damn train!

Saturday, August 5, 2017

THE BITTER TEA OF GENERAL YEN (1932)

MORE 1001 MOVIES FROM THE 30's
(Post 15 of 20)

Chinese warlord General Yen (Nils Asther)
falls for American missionary Barbara Stanwyck
in The Bitter Tea of General Yen

I don't associate action war movies from director Frank Capra (except from perhaps his World War II documentaries), but The Bitter Tea of General Yen is set in China during a series of civil wars which provide the backdrop of this film about a tough Chinese warlord (played by Norwegian Nils Asther) whose battles are complicated by a pretty and opinionated American missionary named Megan (Barbara Stanwyck). Their relationship becomes pretty complicated amid the chaos and that is the drama that drives the film. There is a lot of good subtext to the film including: missionaries roles in such places, the difficulty in defining who to root for among these factions, Yen's complicated relationship with his concubine (Toshia Mori), and the role of the opportunistic American financial advisor (Walter Connolly, see below).

And the Elisha Cook Jr. supporting player award goes to...Walter Connolly. Connolly was a major character actor during the 30's whose many supporting roles included The Good Earth, Libeled Lady and Twentieth Century. His most famous part was almost certainly as  Claudette Colbert's father in Capra's It Happened One Night. I think his part as General Yen's financial adviser is an even better role for him (just call him Jones). He plays the ugly American all right...keeping the General's eyes on what is important...profit. His callousness even makes Stanwyck sick to her stomach at one meal and I can't say that I blame her. He may elicit some sympathy in the final scene by comforting Stanwyck on the way back to Shanghai..but does he really deserve our compassion at this point? Either way...well, played Mr. Connolly.

Nils Asther and Walter Connolly 
in The Bitter Tea of General Yen

Connolly as the father of reluctant bride Claudette Colbert
in It Happened One Night

Sunday, June 28, 2015

IT HAPPENED ONE NIGHT (1934)

HOLLYWOOD'S GOLDEN AGE
(Post 40 of 50)


Frank Capra's romantic comedy is pretty much a prototype of all romantic comedies that followed. The plot has a spoiled runaway heiress (Claudette Colbert) and a cynical newspaper (Clark Gable) reporter finding each other on the road. She wants to get to New York. He wants a story. They bicker. They bond. They fall in love. My favorite scenes are the ones in the auto camp where the two begin to bond and conspire to avoid detectives on their trail. A must for film buffs.

And the Elisha Cook Jr. supporting player award goes to..(tie) Ward Bond/Alan Hale. Ward Bond has a small but funny role as the bus driver who simply can't get the best of Clark Gable. Ward would later have a more significant role for Capra as Bert the cop in It's a Wonderful Life (Who wants to see liver pills on their honeymoon?). He could also be seen in numerous John Ford movies, as well as Sergeant York, The Maltese Falcon, Gone With the Wind (as the Yankee captain) and many others.


Alan Hale Sr. has the role of the guy that picks up Gable and Cobert during the famous hitchhiking scene. His character sings loudly to his hitchhikers, singing improvisationally based on whatever his passengers most recently said. And he's pretty funny. His character also apparently has the strange criminal scheme of driving off with whatever possessions his riders have when they aren't looking. Oh, well. It's a plot device to give the two leads a car late in the movie.

Hale was one of most heavily used character movie actors in the 30's and 40's (frequently with Errol Flynn), racking up 250 movie credits before his death in 1950.



Wednesday, May 13, 2015

MR. DEEDS GOES TO TOWN (1936)

HOLLYWOOD'S GOLDEN AGE
(Post 25 of 50)


It was kind of funny seeing Mr. Deeds Goes to Town after so many years. The plot of a local yokel being taken advantage of by big wigs that end up underestimating him and having the local yokel getting Jean Arthur to fall in love with him could also describe Frank Capra's follow up film Mr. Smith Goes to Washington. But both movies are fun to watch with lots of laughs, snappy dialogue, the lovely Ms. Arthur, lots of inspirational scenes and certainly both have their share of "Caprcorn." But I'm not complaining. I like Gary Cooper as the everyman Deeds, but I'm glad Capra had to "settle" for Jimmy Stewart in Mr. Smith. I could picture Stewart doing Mr. Deeds, but can't picture Cooper as Mr. Smith.


And the Elisha Cook Jr. supporting player award goes to..Lionel Stander is probably best remembered by some as Max on the show Hart to Hart. But the gravelly-voiced character actor had a career that began in the early 30's and continued through the early 90's, shortly before his death. Some of the movie roles I remember his in include Cul-de-Sac and Once Upon a Time in the West. He is a standout in this early role of Cornelius Cobb in Mr. Deeds. Cobb plays a guy who is trying to help use Deeds at first, but quickly becomes a friend and supporter. I thought almost every line Stander said in this movie was funny. It's also interesting to see him so young, but his comic timing was clearly already solid.


Lionel Stander (sitting), with Gary Cooper and H. B. Warner



Wednesday, December 15, 2010

IT'S A WONDERFUL LIFE (1946) vs. A CHRISTMAS STORY (1983)*


Brent Musberger: We are…LIVE from Pauley Pavilion for the finale of the 64 film tournament as the battle for the definitive Christmas movie sweepstakes has reached its highly anticipated climax.

To recap: A Christmas Story defeated Santa Claus Conquers the Martians, Black Christmas (which forfeited for being directed by A Christmas Story director Bob Clark and therefore creating a conflict of interest), National Lampoon’s Christmas Vacation, and Holiday Inn to reach the final four where the instant classic last second victory over the 1951 version of A Christmas Carol earned the coming of age story of Ralphie and his hunt for a Red Ryder BB gun a spot in the finals.

In the other bracket, It’s a Wonderful Life defeated Ernest Saves Christmas, Elf, Jingle All the Way, and Christmas in Connecticut to reach the final four where the story of George Bailey defeated Miracle on 34th Street in double overtime.

Onto the final: It’s a Wonderful Life vs. A Christmas Story:

Round 1
The protagonist:

It’s a Wonderful Life: George Bailey
George’s best moment: Loans out money to Bedford Fallians to prevent Potter from taking over the building and loan.
George’s worst moment: yells at his kids after Uncle Billy loses $8000.

A Christmas Story: Ralphie Parker
Ralphie’s best moment: Saves his family from Black Bart
Ralphie worst moment: He says THE word and it wasn’t fudge!

Winner: It’s a Wonderful Life. The everyman is just more sympathetic than the everyboy.

Round 2
The villain:

It’s a Wonderful Life: In the person of Mr. Potter and in the set of circumstances that keep George in Bedford Falls.

A Christmas Story: The heavies here are assorted bullies, teachers, parents and grownups whose sole purpose seems to be preventing getting Ralphie his Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle!

Winner: It’s a Wonderful Life. Mr. Potter (the very definition of evil) is the difference here.
Potter to George: “Look at you! You used to be so cocky. You were going to go out and conquer the world. You once called me a warped frustrated old man. What are you but a warped frustrated young man? A miserable little clerk crawling in here on your hands and knees and begging for help…Why don’t you go to the riff raff you love so much. You know why? Because they’d run you out of town on a rail!”

Evil. Evil. Evil

Round 3
Supporting cast:

It’s a Wonderful Life: Thomas Mitchell as Uncle Billy or Henry Travers as Clarence.

A Christmas Story: Darren McGavin as Dad

Winner: It’s a Wonderful Life. McGavin is most funny as the long-suffering, cursing dad with the obsession for leg lamps, but he did steal the fra-jilly joke from The Marx Brothers.
Nobody does nincompoop like Mitchell and nobody can order “Mull wine, heavy on the cinnamon, light on the cloves” like Travers.

Round 4
Auteur curriculum vitæ:

It’s a Wonderful Life: Frank Capra directed Arsenic and Old Lace, Meet John Doe, Mr. Smith Goes to Washington, Mr. Deeds Goes to Town, Lost Horizon, It Happened One Night, and You Can’t Take it With You. One of the most famous American directors with one of the most impressive resumes.

A Christmas Story: Bob Clark’s less impressive film output includes: Rhinestone, From the Hip, Porky’s I and II, Baby Geniuses I and II, and of course the TV movie classic Karate Dog.

Winner: A Christmas Story. Seems like no comparison, but since Mr. Clark dug so deep to come up with one classic within a career of such mediocrity, that I think even Mr. Capra would love this underdog story. Imagine Ed Wood pulling off Lawrence of Arabia.

Round 5
Recreation of the era:

It’s a Wonderful Life: Most of the story is set in the 1940’s and the film was made in the 1940’s.

A Christmas Story: Entire story is set in the 1940’s

Winner: A Christmas Story. The recreation of a simpler time at a simpler age is what makes the film work. It may not be a fair comparison since It’s a Wonderful Life was set in its own time, but George Bailey knows that life is not fair.

Round 6
Catchphrase:

It’s a Wonderful Life: Lots of candidates, but “Teacher says every time a bell rings, an angel gets his wings” is probably the best. It’s certainly better than Sam Wainwright continually saying “HEE-HAW”

A Christmas Story:”You’ll shoot your eye out, kid”

Winner: A Christmas Story. Close call, but “You’ll shoot your eye out” defines A Christmas Story.

Round 7
Screenplay:

It’s a Wonderful Life: Frances Goodrich & Albert Hackett

A Christmas Story: Jean Shepherd

Winner: It’s a Wonderful Life. You’d think I’d know who wrote the screenplay for a movie I’ve seen twenty times, but I admit to having to look it up. As retribution I’m giving this to Frances and Albert. Sorry, Jean.

Round 8
The strange cameo competition:

It’s a Wonderful Life. The guy that opens the gym floor to make George and Mary go into the water is Carl “Alfalfa” Switzer of Our Gang.

A Christmas Story: Ubiquitous screenwriter Jean Shepherd has the wonderful credit line of Man in line for Santa.

Winner: It’s a Wonderful Life. How can you beat getting dunked by Alfalfa! Sorry Jean, that’s 0-2.

Round 9
Narrator wars:

It’s a Wonderful Life: Mostly Henry Travers as Clarence

A Christmas Story: Jean Shepard

Winner: A Christmas Story, Well Jean, your narration style that was later copied for The Wonder Years finally gives you a win.

Round 10
Musical interlude:

It’s a Wonderful Life: Buffalo Girls

A Christmas Story: Deck the Halls from the Chinese restaurant.

Winner: It’s a Wonderful Life. As funny as “Deck the Halls with boughs of horry” is, Buffalo Girls is sung by George to woo Mary and later played as George asks Mary to marry him. George lassos the moon on this one.

Round 11
Longevity award:

It’s a Wonderful Life: A Christmas classic since the advent of television

A Christmas Story: A Christmas classic since the advent of cable

Winner: It’s a Wonderful Life: It may not be fair to punish A Christmas Story for only being 25 years old, but you know-sometimes you get a Red Ryder BB gun for Christmas and sometimes you just got to drink your Ovaltine and like it!

Round 12
Symbols:

It’s a Wonderful Life: Bedford Falls has Christmas lights, bells, carolers, a movie theater showing Bells of St. Mary’s, and the wonderful old Building and Loan.
Pottersville has bars, blaring sirens, night clubs, pool halls, fights every Wednesday night, pawn brokers, girls-girls-girls burlesque, and a Dance Hall where Violet Bick gets picked up for prostitution!

A Christmas Story: The leg lamp or the bunny suit

Winner: It’s a Wonderful Life. But you got to admit that sometimes it’s more fun to live in Pottersville than Bedford Falls.

Round 13
Hot mom award:

It’s a Wonderful Life: Donna Reed

A Christmas Story: Melinda Dillon

Winner: It’s a Wonderful Life. Melinda Dillon was much more attractive in other movies such as Slapshot and Close Encounters as she was a bit frumped up here to be believable as Darren McGavin’s wife.
Donna Reed was at the height of her beauty here, at least when she’s not closing up the library!!!

Round 14
Citation for scene disparaging to libraries:

It’s a Wonderful Life: When George asks Clarence where Mary is in the reality in which George was never born, Clarence informs him that the ultimate tragedy has happened: First she’s an old maid and even worse: “She’s closing up the library!”
I’ve got to dock It’s a Wonderful Life for this one.

Winner: by default is A Christmas Story

Round 15
Evilest teacher:

It’s a Wonderful Life: Mrs. Welch gets admonished by George when she checks on Zuzu. Mr. Welch later punches George. Should Mrs. Welch suffer for the sins of Mr. Welch?

A Christmas Story: Ralphie’s teacher can’t seem to understand the importance of the Red Ryder BB gun!

Winner: A Christmas Story. Sorry, Mrs. Welch. Nobody punches out George Bailey and gets away with it!

Round 16
Remake Problems:

It’s a Wonderful Life: I know I shouldn’t keep punishing for the sins of others, but the 1978 television remake with Marlo Thomas as the female equivalent of George Bailey and Cloris Leachman as the female equivalent of Clarence was just wrong and someone should be held responsible!

Winner: A Christmas Story, but I just found out it has a sequel of it’s own called It Runs in the Family from the 90’s. I’ve already awarded the round, so A Christmas Story may have gotten away with one here.

Round 17
Unsympathetic authority figure:

It’s a Wonderful Life: Gower the druggist smacks George on his bad ear. Booooo!

A Christmas Story: Santa Claus can’t seem to understand the importance of the Red Ryder either. Booooo!

Winner: It’s a Wonderful Life. Mr. Gower wins because he does become a good guy and a friend to George (Except in the world without George where he is an alcoholic child murderer!) Ahem. Wait a second. George isn’t born and Gower becomes a drunken killer? On second thought, A Christmas Story wins. Santa just doesn’t want him to shoot his eye out, after all. He doesn’t kill anybody!

Round 18
I discovered it:

It’s a Wonderful Life: It’s just been around forever so gets no credit for discovery for me.

A Christmas Story: I was the one to discover this movie. Okay, not really. But I was one of the first to appreciate it. “Why wasn’t this more popular?” I said when it first came out. Now it is.

Winner: A Christmas Story

Round 19
Dumbest kid stuff dealing with ice:

It’s a Wonderful Life: Harry Bailey sleds onto thin ice and almost drowns.

A Christmas Story: Ralphie’s friend sticks his tongue to a frozen flagpole.

Winner: A Christmas Story. Equally stupid thing for a kid to do, but funnier in A Christmas Story.

Round 20
The ending:

It’s a Wonderful Life: George’s friends bail him out, his family embraces him and they sing Auld Lang Syne.

A Christmas Story: Ralphie dreams of making hip shots with his gun.

Winner: It’s a Wonderful Life: A Christmas Story’s ending is OK. It’s a Wonderful Life’s ending might be the most inspirational ending in filmdom. A no-brainer for It’s a Wonderful Life.


Brent Musberger: And the winner in the definitive Christmas movie sweepstakes is…wait a minute, here comes Tiny Tim Cratchit and the Little Match Girl…What could they want? Tiny Tim seems to be trying to tell me something. Excuse me…we seem to have a new development. Little Match Girl, are you in agreement? All right then. Everyone grab hands. George, Ralphie, Uncle Billy, Mr. and Mrs. Parker, Bert, Ernie, Flick, Mary, Department Store Santa...come on out. Form a line.
The final decision from these two adorable little children is that you the viewer need to find room in your holiday season for both of these Christmas classics.

Merry Christmas everybody! This is Brent Musberger reporting.

*This blog is a reprint from last year, but I couldn't think of anything else new to do for Christmas. Maybe next year.